14th Annual MoSt Poetry Festival Oct. 3 Juan Luzuriaga

Come to the Table! Join us in person for the 14th Annual MoSt Poetry Festival, a bilingual poetry conference featuring poet Juan Luzuriaga

14th Annual MoSt Poetry Festival: Come to the Table with Juan Luzuriaga

Registration and continental breakfast 9:30-10:00 a.m.
Workshop 10:00 a.m. – 2:00 p.m.
Light lunch served
Tickets $40; Eventbrite fee applies (purchase tickets)

Get ready for an amazing morning and afternoon at the 14th Annual MoSt Poetry Festival, for a bilingual conference where Spanish and English will be celebrated in poetry.

Guest poet/facilitator: Juan Luzuriaga

Join us in person to experience the powerful words and unique style of Juan Luzuriaga.

Juan Luzuriaga was born in Guayaquil, Ecuador, and immigrated to the U.S. at 16 in 2000. He studied Neuroscience at Rutgers University and English at UC Merced. He teaches poetry in prisons, at Cuesta College, and California Poets in the Schools. He has been a featured panelist at UC Merced, Cuesta College Central Coast Writers’ Conference, Litfest and more, and he is a featured panelist at the 2026 San Francisco Writers Conference Poetry Summit.

He has been published in Acentos Review, San Diego Poetry Annual, Monterey Poetry Review, Cholla Needles, Poetry Breakfast, Matchbox Magazine, and in the anthologies Silence Is Consent, To Be Completely Honest, and Method Writers Speak. His book Cotopax Whispers, a poetry collection exploring migration, memory, identity, language, and ancestry–was just published by Blue Light Press.

Whether you’re a poetry lover or just curious, this generative workshop will inspire you to write poems and celebrate language.

Don’t miss out on this chance to connect with the local poetry scene and enjoy being in community with other writers.

14th Annual MoSt Poetry Festival – Come to the Table! A Bilingual Poetry Workshop with Juan Luzuriaga

Come to the Table! Join us in person for the 14th Annual MoSt Poetry Festival, a bilingual poetry conference featuring poet Juan Luzuriaga

14th Annual MoSt Poetry Festival: Come to the Table with Juan Luzuriaga

Registration and continental breakfast 9:30-10:00 a.m.
Workshop 10:00 a.m. – 2:00 p.m.
Light lunch served

Get ready for an amazing morning and afternoon at the 14th Annual MoSt Poetry Festival, for a bilingual conference where Spanish and English will be celebrated in poetry.

Guest poet/facilitator: Juan Luzuriaga

Join us in person to experience the powerful words and unique style of Juan Luzuriaga.

Juan Luzuriaga was born in Guayaquil, Ecuador, and immigrated to the U.S. at 16 in 2000. He studied Neuroscience at Rutgers University and English at UC Merced. He teaches poetry in prisons, at Cuesta College, and California Poets in the Schools. He has been a featured panelist at UC Merced, Cuesta College Central Coast Writers’ Conference, Litfest and more, and he is a featured panelist at the 2026 San Francisco Writers Conference Poetry Summit.

He has been published in Acentos Review, San Diego Poetry Annual, Monterey Poetry Review, Cholla Needles, Poetry Breakfast, Matchbox Magazine, and in the anthologies Silence Is Consent, To Be Completely Honest, and Method Writers Speak. His book Cotopax Whispers, a poetry collection exploring migration, memory, identity, language, and ancestry–was just published by Blue Light Press.

Whether you’re a poetry lover or just curious, this generative workshop will inspire you to write poems and celebrate language.

Don’t miss out on this chance to connect with the local poetry scene and enjoy being in community with other writers.

Tickets $40; Eventbrite fee applies

Second Tuesday Sept. 8: Judy Halebsky & Nichole Turnbloom

Modesto-Stanislaus Poetry Center is pleased to present Second Tuesday Poetry featuring Bay Area poets Judy Halebsky and Nichole Turnbloom

Date: Tuesday, September 8, 2026 
Time: 7:00 pm; doors at 6:30 PM
Where: Bookish Modesto, 811 W. Roseburg Ave, in the Roseburg Square shopping center.
Event is free. Refreshments, books, and cool bookstore merch available for purchase!

More information about our poets

Second Tuesday featuring Judy Halebsky and Nichole Turnbloom

 

Modesto-Stanislaus Poetry Center is pleased to present Second Tuesday Poetry featuring Bay Area poets Judy Halebsky and Nichole Turnbloom
Date: Tuesday, September 8, 2026 
Time: 7:00 pm; doors at 6:30 PM
Where: Bookish Modesto, 811 W. Roseburg Ave, in the Roseburg Square shopping center.
Event is free. Refreshments, books, and cool bookstore merch available for purchase!

JUDY HALEBSKY

Color portrait of poet Judy Halebsky, looking to the left in red-frame glasses and a navy blue top with green blurred background

Judy Halebsky is the author of three poetry collections, most recently, Spring and a Thousand Years (Unabridged) which was a finalist for the National Poetry Series and the Miller Williams Prize. Born and raised in Halifax, Nova Scotia, she holds an M.F.A. in English & Creative Writing from Mills College and a Ph.D. in Performance Studies from the University of California, Davis. Judy’s work has been supported by fellowships from the MacDowell Colony, the Millay Colony, and the Vermont Studio Center. Her book Sky=Empty won the New Issues Prize, and her chapbook  Space/Gap/Interval/Distance won the Poets-Under-Forty Award from Sixteen Rivers Press. Tree Line was shortlisted for five awards including the Believer Poetry Award and the California Book Award. Along with  poetry, Halebsky also writes articles, essays, plays, and performs live improvised stories.

At Dominican University of California, she teaches Japanese literature, poetry, and live storytelling. She lives in Berkeley with her nature guide and young daughter.

About Spring and a Thousand Years (Unabridged):

A translator’s notebook, an almanac, an ecological history, Judy Halebsky’s Spring and a Thousand YearsCover image: Spring and a Thousand Years (Unabridged) (Unabridged) moves between multiple intersections and sign systems connected in a long glossary poem that serves as the book’s guide to what is lost, erased, or disrupted in transition both from experience to written word and from one language, location, and time period to another.

The role of the literary translator is to bring text from one language into another, working to at once shift and retain the context of the original—from one alphabet to another, one point in time to another. These are poems in homage to translation; they rely on concepts that can bridge time and space, and as a result are as likely to find meaning in donuts or Zumba as they are to find it in the ocean. Spring and a Thousand Years (Unabridged) finds reasons for hope not in how the world should be, but in how it has always been.

“Halebsky likes the unleashed energy of poetry, and in the poems gathered here, she delivers.” —Billy Collins

“Under the spell of Bashō’s haiku, but written in a voice entirely its own, Judy Halebsky’s Spring and a Thousand Years (Unabridged) is the first book of poetry I’ve read in years that makes civilization look good. It makes me want to make dinner, make love, and make noise. Only a poet this generous, this wise, and this rich in language could have made this splendid thing. Read this book and you will wish you were her neighbor.”
—Katy Peterson, author of A Piece of Good News

NICHOLE TURNBLOOM

Black and white headshot of poet Nichole Turnbloom

Nichole Turnbloom is the author of Out of the Unexpected: Poems with Sappho. She has an MFA in poetry and completed a facilitation training through the Institute for Poetic Medicine. Her poems have been published in Acumen, California Quarterly, The Branches, Garlic Press Lit, Luna Luna Magazine, Bear Review, IWWG’s Anthology Write Forward among other venues. Her work is informed by nearly twenty years of providing somatic therapy to those affected by complex trauma and delves into themes of spiritual fragmentation, identity and longing.

About OUT OF THE UNEXPECTED: POEMS WITH SAPPHO

In Out of the Unexpected, Nichole Turnbloom reaches into the fragments of Sappho—poet, musician, teacher, the Tenth Muse—and weaves a luminous dialogue between past and present, voice and silence, myth and memory.

Cover image: Out of the UnexpectedDrawing from lost lines and broken songs, these poems are a testament to what remains, what is remade, and what longs to be spoken. Here, the resonance of Sappho’s lyricism mingles with the raw pulse of modern grief, rage, tenderness, and survival. Through correspondence, reimagining, and reflection, Turnbloom invites readers to step into a timeless conversation—one stitched with longing, beauty, and unyielding truth.

 

MoSt Poetry’s Saturday at the Carnegie with featured readers Carolyn Miller & Lenore Myers

Join host Gary Thomas for the latest edition of MoSt’s Poetry at the Carnegie readings on August 15 at 2:00 p.m. at the Carnegie Arts Center, 250 North Broadway Avenue in Turlock, CA.  Our featured poets are Sixteen Rivers Press poets Carolyn Miller and Lenore Myers (both with new books out!) followed by our Open Mic time. This event is free and open to the public, and light refreshments will be provided.

Carolyn Miller lives in San Francisco, where she writes, paints, and works as a freelance book editor. Her books of poetry are After Cocteau and Light, Moving, both from Sixteen Rivers Press; Route 66 and Its Sorrows from Terrapin Books; and four limited-edition letterpress chapbooks from Protean Press. Her poems have been featured on Poetry Daily and The Writer’s Almanac and have appeared in Smartish Pace, SALT, ONE ART, The Southern Review, and The Gettysburg Review, among other journals, as well as in several anthologies, including Garrison Keillor’s Good Poems: American Places. Her honors include the James Boatwright III Award for Poetry from Shenandoah and the Rainmaker Award from Zone 3.

                                                                                                                                                          About Random Universe: “Carolyn Miller’s new poetry collection is a remarkably inclusive work, with a playfulness in form and structure that feels wonderfully inventive. In these pages, she takes on ekphrastic responses to Cy Twombly’s art, “mistranslations” of Milosz and Tranströmer, and her own translation of an ancient Egyptian text. She creates list-poems of “Lost Language” and “New Lines for Fortune Cookies” and writes about the lives of objects. And through it all, she shows her remarkable talent for writing about sensuous joy, joy that is earned, though haunted by history and the poet’s place in it. I am glad to sit at the banquet table of her Random Universe and feast.” —Julia B. Levine, author of Lullaby for the Sixth Extinction

LENORE MYERS was born to artist parents who tried to live as semi-bohemians in the suburbs. When that fell apart, the author spent her childhood and youth moving between different towns in Northern California. After spending more years moving around the United States and abroad, she returned to the greater Bay Area to be near family while raising her son. Her chapbook, Regards to Balthus, was published by Seven Kitchens Press in 2023. Her poems and essays appear in a variety of literary journals.

About Afterimages: “Conventional forms of ekphrasis are often little more than poetic descriptions of art. But there is nothing conventional about Lenore Myers’s Afterimages. The poems in this fabulous collection go beyond description, beyond the page, beyond the canvas, beyond looking and seeing, beyond interpretation and reflection, beyond decoding. They participate in what we might call an expanded ekphrasis that takes the dialogue between art and poetry to new levels of interactivity. This is a book that asks big questions about how we perceive and process the acts of making art and engaging with its aftereffects. Art lasts. It lingers. In our heads and in our hearts.” —Dean Rader, author of Before the Borderless: Dialogues with the Art of Cy Twombly