“With tenderness, wit and humor, Dust Bowl Venus explores the fragility of love, good health an:d the earth. Rooted not just in the places of the City of Modesto but also in the music, legends, and community of the Central Valley, these poems brilliantly reflect a struggle to find beauty in the contradictions of our contemporary lives. Amazingly thoughtful and musical, these are poems we should all read.” —July Halebsky, author of Sky=Empty, Tree Line, and Spring and a Thousand Years (Unabridged)

“Stella Beratlis’s Dust Bowl Venus animates California’s Central Valley as a postmodern Prometheus, an eco-sapient Frankenstein with whom we wrangle, wrestle, and fall madly in love. Marked with sass and grit and grace, Beratlis’s imagistic associations jolt and jump cut in powers of ten. These poems stir us with the urgency of the Anthropocene, excite ‘a thicket of nerves,’ and form a ‘mycorrhizal web’ that connects us to the mantle of deep time.” —Rosa Lane, author of Chouteau’s Chalk and Tiller North

“The poems in Stella Beratlis’s Dust Bowl Venus ring with the clarity of a shovel strike against stone, each line cracking against the next, igniting spark after glorious spark. And yet, like the seasonal lake bed on which Modesto sits, like the many hands ‘making mud out of dry soil,; every poem aches toward tenderness. In one poem, Beratlis asks ‘What grows here?’ before revealing the bounty—heirloom tomatoes, holy basil, kindness—that can be coaxed from this ‘city of drought.’ But darker things grow here, too: a tumor ‘the consistency of a potato,’ fear, terror that ‘builds cell by sticky cell.’ Here, to grow, and to love, is to risk vulnerability. These ‘bone and ligament narratives’ of grief and yearning, illness and healing, perseverance and resistance, beat with so much heart in this fiercely beautiful book.” —Erin Rodoni, author of Body, in Good Light and A Landscape for Loss